BaptisteBonnard

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	<title>BaptisteBonnard</title>
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	<pubDate>Thu, 17 Sep 2020 13:02:19 +0000</pubDate>
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		<pubDate>Mon, 07 Sep 2020 16:37:34 +0000</pubDate>

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	&#38;nbsp; Baptiste Bonnard
	
    	
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		<title>About</title>
				
		<link>https://baptistebonnard.com/About</link>

		<pubDate>Mon, 07 Sep 2020 16:37:35 +0000</pubDate>

		<dc:creator>BaptisteBonnard</dc:creator>

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	FR
Comment percevoir autrement la réalité ou celle des autres ?
La notion de technologie peut-elle devenir une pratique permettant dese ré-approprier les outils du contemporain pour créer de nouvellesexpériences d’existence ?
Nos identités, entre virtuel et réel, sont de plus en plus indéfinissables.Connectés les uns les autres, mais définitivement seul face à un universde données fragmentées et sans clé de lecture, nous dérivons. Cesnouveaux artefacts de la vie contemporaine sont des objets de contrôle etdes objets de réfléchissement, leur ambiguïté entre réel et virtuel extrapoledes perceptions et des sensations dont il faut en extraire l’essence afin dese les ré-approprier pour reconstruire de nouvelles fonctions.
Profondément ancrés dans la culture et l’esthétique d’internet avecses flux de données infinis, une difficulté de faire la distinction entreartefact et réalité charnelle apparait et suggère alors des intersectionscroissantes entre les espaces virtuels et réels. La technologie ne serésume donc pas seulement à des outils informatiques et numériques,elle se déploie dans la poésie, la mémoire, l’affect et d’autres formesde technologie humaine dont il faut avoir conscience afin d’être dansun mouvement perpétuel de nouvelles expériences : déformer la réalité,percevoir autre chose, faire en étant autre.

	
	ENHow can we perceive reality — or the reality of others — differently?Can the notion of technology become a practice that allows us to reclaim contemporary tools in order to create new experiences of existence?

Our identities, suspended between the virtual and the real, are becoming increasingly indefinable. Connected to one another, yet ultimately alone before a universe of fragmented data without a key to interpretation, we drift. These new artifacts of contemporary life are both instruments of control and objects of reflection. Their ambiguity between the real and the virtual extrapolates perceptions and sensations whose essence must be extracted in order to reclaim them and reconstruct new functions.

Deeply rooted in internet culture and aesthetics, with its infinite data streams, a difficulty in distinguishing between artifact and tangible reality emerges, suggesting growing intersections between virtual and physical spaces. Technology therefore cannot be reduced merely to computational or digital tools; it unfolds through poetry, memory, affect, and other forms of human technology that we must remain aware of in order to stay in a perpetual movement of new experiences: to distort reality, to perceive differently, to act by becoming other.
2024 Content is a mirage avec Vanessa Cimorelli -&#38;nbsp;EYE Yverdon-les-Bains, Suisse
2024		Technolove avec Julien Fournival - TOPIC, Genève, Suisse&#38;nbsp;
	2023		Je me suis cogné là. (solo) – La pièce rouge, Yverdon-les-Bains, Suisse
2022		Sitting in front of the mirror – Garage COOP, La Régional, Strasbourg, France
2019		Formules Prescrites – ERG, Bruxelles, Belgique 
2019		Soucoupes Volantes – Musée Ariana, Genève, Suisse
2018		Soucoupes Volantes – Porzi Langenthal et Kunsthaus Langenthal, Suisse
2017		OPEN COLLAGE – HEAD Genève, Suisse
2017		Conduite forcée, espaces publics – Sion, Suisse</description>
		
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		<title>Text</title>
				
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		<pubDate>Thu, 17 Sep 2020 13:02:19 +0000</pubDate>

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		<title>Art</title>
				
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		<pubDate>Sat, 12 Sep 2020 09:32:32 +0000</pubDate>

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		<title>Contact</title>
				
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		<pubDate>Mon, 07 Sep 2020 18:58:33 +0000</pubDate>

		<dc:creator>BaptisteBonnard</dc:creator>

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		<description>Baptiste Bonnard
maak.art@gmail.com
G</description>
		
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